Professional Whip Artistry Training & Entertainment

Professional Whip Artistry Training & Entertainment


  • Tag Archives Gery L. Deer
  • Spotlight! The black, Fraser “Brothers & Co.” stockwhip.

    GLD_FRAS_BLK_TWAS6About a dozen years ago, The Whip Artistry Studio director, Gery L. Deer, commissioned a black stockwhip from whip maker Janine Fraser. As the majority of his work to that point had been done with bullwhips, he had only one stockwhip in his collection and decided on one of Janine’s for their look and weight. What she made was truly a work of art and function.

    After all of these years, this is still Gery’s favorite stockwhip and it has become known as “The Brothers & Co.” whip because it’s always seen on the costume he wears for his family variety show. He is regularly asked about the whip, by audience members and whip enthusiasts alike, so here is some detail about the whip and some new-close up photos.

    With a 19 ½-inch handle and a thong of 72 ½ inches, this is an impressive piece (92 inches long, from handle butt to point knot). The whip is black kangaroo with a Scobie Hitch knot on the handle butt and a variation checkerboard-herring bone braid. The fall hitch, at the point, is just slightly over ½-inch in diameter holding tightly in place a ¼-inch wide, 20-inch long, whitehide fall, dyed black to match the thong. It’s important to note that this is the original fall and has only been shortened a few inches over the years from wear and use.

    The weight of this whip barely registers, about the same as an iPhone 4! It has a beautifully braided, 12-plait handle that starts out at the butt at just under 2 ½-inches in diameter and tapers to 1 3/8 inches at the thong. Janine’s signature, engraved metal band adorns the handle about 5-inches up from the butt. This particular whip sports Gery’s initials opposite the “FRASER” engraving.

    Of the handle material, Fraser tells us, “The handle is drilled cane and shaved down with a spoke save and draw knife (old school stuff mate).” The craftsmanship of Fraser’s work has always been top-of-the-line. Gery has four Fraser whips all together and the others are solid brown, but this is his favorite.

    “I call it, ‘The Brothers & Co.’ whip because it’s been on the costume I wear with the group since I got it,” Gery noted. The Brothers & Co. is a country music and variety show that he and his family created in 1995. “I have used it in countless whip shows of my own, but as of 2007, it’s been worked exclusively with the Brothers show.”

    TWAS Director, Whip Artist Gery L. Deer in his "The Brothers & Co"

    TWAS Director, Whip Artist Gery L. Deer in his “The Brothers & Co”

    Gery said he originally asked for a black whip because of his stage and costuming at the time, primarily dark colors with black and brown equipment. “I do a double Queensland crossover and other two-whip routines where I intentionally use one of Janine’s stocks in one hand and an Indy Jones-style bullwhip of the same color in the other. It looks great to show these two styles used simultaneously, particularly when I’m doing my dual-whip crossover candle routine.”

    After many years of stage performance and educational use, the Brothers stockwhip will soon be retired from active performance. “To me, it’s one-of-a-kind and cannot be replaced so, naturally, I want to protect it,” Gery said. “It will go on display with one of Antonio Bandares’s whips from Zorro and my Alex Green signature whip.”

    Gery said the whip will still appear in a few more shows because it will be a while before he can retire it anyway, because he’ll have to find an equally interesting piece to add to his Brothers costume. “So far, I have found nothing that comes close to the look and handling of my black Fraser whip. It’s going to be tough to replace on stage, and I’m going to miss having it with me for those shows. It’s still the best stockwhip I have ever used.”


  • Near and Far – Nappanee, Indiana and the Medicine Show …

    From The Director …

    A note from Gery L. Deer.

    August 5, 2013

    I’ve worked all over the country as a whip artist, writer and performer. From small hometown stages to Hollywood television projects, I think I’ve seen just about everything. This past weekend, however, I had the privilege of working with a gentleman who, in my mind, is the quintessential entertainment professional. His name is Dan Barth and for the last 40-plus years, he’s been in the medicine show business.

    Dan Barth's Medicine Show

    Dan Barth’s Medicine Show

    Dan and his wife, Ulli, have traveled all around the country with his turn-of-the-century medicine show wagon and stage, telling the history of the craft and entertaining crowds with the same kinds of routines used in the original shows. From ventriloquism to magic, I sat and watched nearly every show he did over our four days together and marveled at how his audience was so taken with his work.

    In today’s high-paced world of technology and squirrel-like attention spans, I was fascinated to watch people of all ages sit in the hot, Indiana sun and hang on Dan’s every motion and word. It was gratifying to see that people still have an interest in this kind of entertainment; a type that now seems relegated to the odd variety act or child’s birthday party and even then, thoroughly under-appreciated.

    Not this weekend however. People loved watching Dan’s performance, myself included. Ironically, I felt good about the fact that in The Brothers & Co. Variety Show, we are using some of the same routines he includes in his show on a regular basis. Now I think I finally understand why they are always so well-received.

    Gery L. Deer and Dan Barth - August 3, 2013.

    Gery L. Deer (left) and Dan Barth – August 3, 2013.

    But from a whip artist’s standpoint, Dan’s presentation and his audience’s reaction to it allowed me to see more about my own show than I have ever noticed before. As performers, if our mind is in the right place, we work hard to entertain the audience. I have always believed that most skilled performers spend far too much time showing off their respective talents and too little actually entertaining anyone but themselves.

    Dan’s mind is always on the audience. His number one consideration is what will make them smile, laugh, ooh and ahh, all while carrying away a little history they may not have known about before. He may be in it to make a living, but he really wants his audience to have experienced something unique for their time and he genuinely appreciates their attention.

    Personally, I’ve seen just about every possible incarnation of sideshow, Wild West performance, medicine show and variety act. But there was something unique about Dan Barth’s performance. It was unassuming, generous and genuine. It had my attention every time, even though, by the end of the first day, I could practically recite his script verbatim.

    With a little history and a lot of charm, Dan Barth brings to life the 400-year-old linking rings to a whole new generation.

    With a little history and a lot of charm, Dan Barth brings to life the 400-year-old linking rings to a whole new generation.

    With a 25 minute show, Dan Barth’s Medicine Show captivated the audience with no more than four or five routines. But, in the end, it’s not what you do on stage, but how you do it. No matter how great your technical skill, there is always room to make your show more engaging to an audience. A whip trick is over in less than a blink of an eye, but if you package it properly, it will be memorable for a lifetime.

     


  • 2013 Annie Oakley Western Arts Showcase features world-class performers

    Annie Oakley Western Arts Showcase

     

    GREENVILLE, OHIO – JULY 26, 2013 – Wild West performers headlining the 11th Annual Annie Oakley Western Arts Showcase are gearing up for five live performances during the Annie Oakley Festival in the upper level of the Darke County Fairground Coliseum. Whip artists, trick ropers and other Wild West art experts who have appeared shows like America’s Got Talent and The Bonnie Hunt Show will be on hand to perform at 7 p.m. on Friday July 26 at 7 p.m. on Saturday the 27th 1 p.m. and 6 p.m. with two more shows at Noon and 2 p.m. on Sunday the 28th. Each show is free with regular admission.

    The event started out as a gathering of whip crackers in May of 2002 at the family farm of the founder and producer of the event, nationally known writer, entertainer Gery L. Deer. Deer expanded the event a year later to include trick roping, knife throwing and much more and moved it to the grounds of Annie Oakley Days Festival. Participants have the opportunity to learn from some of the best names in the business while sharing their skills to entertain the public.

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    Deer is an award-winning whip artist who has spent a quarter century performing, competing and teaching whip artistry. “We’re happy to be back at Annie Oakley Days for our tenth year of precision whip artistry, knife throwing and fancy trick roping,” says Deer, who is also the managing director of The Whip Artistry Studio, bullwhip training center inJamestown,Ohio. “I’m grateful that we have the opportunity to show the public genuine Wild West arts that require talent and skill, not to mention years of practice.”

    This year, the event will feature the National Whip Artistry Speed & Accuracy Competition! A speed and accuracy contest modeled after the original Wild West Arts Club events but with some interesting twists and turns! In addition to the standard timed targeting whip contests, the speed switch contest requires the competitors to use BOTH hands in precision targeting. Entry fee is $20 per person. Prizes include custom-made nylon whips, certificates for events and lessons at The Whip Artistry Studio and much more!

    Each performance showcase will also feature champion knife thrower Kirk Bass, of Xenia, who teams up with wife Melodee in the suspenseful Bass Blades impalement show. Bass is a certified thrown weapons instructor with the International Knife Throwers Hall of Fame and the assistant director for the Western Arts Showcase events.

    According to Deer, the best show to see will be on Saturday evening. “We pull out all the stops on Saturday, with Wild West arts exhibitions during the afternoon performance and a longer, variety show in the evening.” For the 9th year at the festival, Saturday night’s extended program will be hosted by The Brothers & Co. Entertainers music and variety group fromJamestown,Ohio. Often compared to The Statler Brothers or Oak Ridge Boys, the group offers audiences a brilliant combination of four-part vocals and Vaudeville-style comedy and variety routines.

    All performances are family friendly. For more information go online to www.ohiowesternarts.org or call (937) 902-4857.

     

    Note: The Annie Oakley Western Arts Showcase is a production of GLD Enterprises & Productions as a hired performance by the Annie Oakley Festival Committee.


  • Don’t underestimate the value of the swivel-handled cowhide bullwhip.

    By Gery L. Deer

    Director, The Whip Artistry Studio

    Three of the Gery Deer's original cowhide, swivel-handled American bullwhips. (From Left) 10 foot, hand-dyed black with 1/2 inch flat latigo fall; 24-foot, brown with modified "Australian styled" fall and popper; 6-foot, brown with modified fall and popper.

    Three of the Gery Deer’s original cowhide, swivel-handled American bullwhips. (From Left) 10 foot, hand-dyed black with 1/2 inch flat latigo fall; 24-foot, brown with modified “Australian styled” fall and popper; 6-foot, brown with modified fall and popper.

    I started working with whips when I was very young, but didn’t get too serious about it until my college years. Back then, the best whip I could hope for was a cowhide, swivel handled number with a plastic grip and a rope or twine core.

    One of the first whips I actually paid for was a 20-foot, swivel handled American bullwhip with what looked to me like a bailing twine core. It was bulky, heavy and awkward. Even so, I think I learned more from that than any of the fancy Australian whips I use to teach and perform with today.

    Most of my original cowhide models came from Schutz Bros. leather products in Arizona. That 20-footer was a major purchase for me back then, it was $55.00 USD and cost $5 to ship it. So for a whopping $60 I  had acquired what most professional whip artists would call the worst whip ever – with the possible exception of those five-dollar, India-made paper leather whips from eBay.

    Over time, I bought a few more of this style, all various lengths and shades of brown cowhide. There were no black ones at that time. Anything you wanted black had to be hand-dyed. Whatever the look, I got used to them and learned most of what I know now on that style of bullwhip.

    As a professional performer and competitor in the whip arts arena, I would never choose my old swivels over my Joe Strain or Paul Nolan Aussie styles. They’re superior in nearly every way. But I do get frustrated when I hear whip practitioners complain about the fallibility of their equipment. Naturally, as with any mechanical activity, like sports, learning the violin or racing a car, the better the equipment, the lower the learning curve. You’ll advance and learn faster with a better whip. Why?

    Put simply, you’re spending more time on learning to handle the whip instead of, at the same time, having to adjust to its deficiencies. For example, a swivel handle requires a different pitch and wrist motion to put the tip where you want it for targeting. A whip with no plaited belly or rope in the center is virtually impossible to throw ‘slowly’ and requires an excessive amount of energy.

    Even so, if you get too accustomed to one style of whip, no matter what kind, you’re cheating yourself out of the ultimate goal – to be a true whip artist, not just someone who crack one and make a big noise. The best whip handlers can maneuver virtually any kind of whip to do mostly what they want it to, even if it takes more effort or some adjustment. One whip may be more accurate or ‘prettier’ in motion than another, but they all can achieve the same tasks.

    I can honestly say that there is very little I can do with my Indiana Jones copies that I can’t do with my old swivels. Naturally, I prefer my professional whips, but it’s fun to give the old cowhides a run in the sun now and again, just to stay sharp.

    A few years ago, Chris “The Whip Guy’ Camp and I were doing some targeting at the Annie Oakley Western Arts Showcase in Greenville, Ohio. We were really just goofing off with our long whips, cutting spaghetti and Styrofoam from our contest stands. Chris was using a 25-foot Australian whip recently made for him by Joe Strain. It is a beautiful piece of work, as most of Joe’s whips are, double-bellied, 12-plait (thought it might have been 16, I don’t recall), and incredibly accurate considering its length. Of course, a large part of that depends on the skill – not to mention the eyesight – of the user.

    As Chris worked his targeting skills with the whip he now calls, “Big Momma,” I jumped in at the stand next to him with my 24-foot, cowhide swivel-handled whip. Over the years, I’d modified the fall to something that more closely resembled and functioned like an its Australian cousin. After a few minutes of acclamation to the older style, I found myself performing nearly as accurately as Chris at a similar distance and using the same materials for targets. We were each taking an inch or so from the spaghetti sticks with each cut.

    We were both surprised at how accurate I could be with the old cowhide, even at that distance and within the space – considering we were standing only a few feet from each other, side by side. Though I tired out faster, because of the excessive energy required for the belly-less swivel, I was able to keep up with Chris’s targeting level for the majority of our experiment.

    Over time, I decided to use the longer cowhide whip for more and more, wherever space allowed. It’s impressive to watch and makes a pretty nice “bang” indoors, depending on the popper material. Plus it’s virtually indestructible. Since that time I’ve created a candle snuffing routine around this 24-foot beast, I’ve done basic targeting with it and also re-created one of Chris’s signature routines, just to see if I could get it to work.

    Chris has one stunt he calls “Jumpin Jack Daniels” where he places a tin cup of water on top of a small paper Dixie-style cup, a wax-paper cup about two inches in height. The goal is to crack the paper cup from beneath the tin cup, letting it fall to the table without spilling any of the water. It’s not particularly hard with an average size whip but the size of the paper cup adds to the difficulty, requiring a respectable level of precision and talent from the handler. But it looks far more impressive when it’s done using a long whip like Chris’s “Big Momma.”

    Chris Camp’s version …

    With no ‘Dixie’ cups available, I tested it out using a 12-oz. Styrofoam cup below and an aluminum metal cup (about 1/3 full of water) above. After a few tries, I figured out the physics behind using the big cowhide swivel in such an accurate side-arm throw. It’s actually most functional in a side-arm or overhand flick because you’re using the weight of the whip to help build the momentum automatically granted by the bellies of other styles. In short, it’s not only possible but a crowd-pleaser. People seemed to marvel at the whip’s sheer length and power. Makes the performance side a snap (pun intended).

    In any case, the point to all this is my personal advice not to get too hung up on the type of whip you’re working with but to try to learn what you can from any and all styles you come across, provided they’re somewhat functional. You will be a better whip handler by the experience of diversity when it comes to your equipment and when you use your favorites, you’ll find you learn faster and with greater precision. Good luck and keep the knots out of your popper!

    Here’s the first and only video of Gery Deer’s version …

    Learn more about handling all types of whips!

    Schedule your lessons today at The Whip Artistry Studio!

     




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